纳尔逊•古德曼，著名的分析哲学家、逻辑学家、科学哲学家和美学家，现代唯名论、新实用主义的主要代表之一。著有《表象的结构》(1952)、《事实、虚构和预测》(1954)、《艺术的语言》(1968)、《构造世界的多种方式》(1978)、《心灵及其他问题》(1984)等。

纳尔逊•古德曼，著名的分析哲学家、逻辑学家、科学哲学家和美学家，现代唯名论、新实用主义的主要代表之一。著有《表象的结构》(1952)、《事实、虚构和预测》(1954)、《艺术的语言》(1968)、《构造世界的多种方式》(1978)、《心灵及其他问题》(1984)等。

This work provides an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the 18th, 19th and the first half of 20th century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories...(展开全部)

This work provides an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the 18th, 19th and the first half of 20th century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories...(展开全部)

This is an updated and newly revised edition of the classic book The Art of Photography (originally published in 1994), which has often been described as the most readable, understandable, and complete textbook on photography. With well over 100 beautiful photographic illustrations in both black-and-white and color, as well as numerous charts, graphs, and tables, this book pres...(展开全部)

#1 International Bestseller and #1 New York Times Bestseller Over 2 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we've been told that positive thinking is the key to a happy, rich life. "F**k p...(展开全部)

Desire in Language traces the path of an investigation, extending over a period of ten years, into the semiotics of literature and the arts. But the essays of Julia Kristeva in this volume, though they often deal with literature and art, do not amount to either "literary criticism" or "art criticism." Their concern, writes Kristeva, "remains intratheoretical: they are based on ...(展开全部)